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Muse: H.A.A.R.P.
Contributed By: Ali Rachman
Created On: Sunday, 06 April 2008
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Muse: H.A.A.R.P.
H.A.A.R.P.
The fan base for Muse grows with every release. 2006 s Black Holes And Revelations broke into the U.S. Top 10 while hitting #1 in the U.K. and much of Europe, where it sold 1 million copies and was #3 on NME's Albums Of The Year list. A multiple BRIT Award winner for Best Live Act, Muse then staged two massive sold-out performances at 90,000-seat Wembley Stadium in London last June, which increasingly are recognised as amongst the definitive live moments of the year. The best performances from those concerts, as well as bonus backstage footage, are presented on the CD/DVD set HAARP.

The band takes the stage – to much pomp, circumstance, and confetti – to “Dance of the Knights,” written for “Romeo & Juliet.” That means, yes, the band pulls out the big guns right away, launching into “Knights of Cydonia,” and while the band delivers a rip-roaring version of the song (trumpet player and everything), half the fun is watching the crowd. They’re pogo-ing their butts off from the very beginning, but when the big post-“No one’s gonna take me alive” riff hits, the place literally explodes. Hell, the crowd maintains that intensity through “Map of the Problematique” and “Butterflies and Hurricanes,” which is akin to moshing at a Cure show.

The band, mercifully, gives the audience a chance to rest. The problem is that they gave the audience a really, really long time to rest. “Butterflies and Hurricanes” is arguably one of the band’s best songs, but playing it after “Problematique” and before “Invincible” and “Starlight” is just a cruel thing to do to an audience. (The DVD goes even further into the mines of mellow gold, including “Hoodoo,” “A Soldier’s Poem,” Feeling Good,” “Unintended” and “Blackout,” yikes). For as many high-energy songs as there are in Muse’s catalog, it’s shocking to see them go the mellow route for a show that will be documented for time immemorial. Perhaps replace one of those ballads with “City of Delusion” or “Exo-Politics,” perhaps? One other quibble: Bellamy needs to go back to saying “No one’s gonna take me alive” at the ending of “Knights of Cydonia,” instead of his all-too-proper reading of “No one’s going to take me alive.” It’s a battle cry, for God’s sake. Sing it like your life depends on it. Even the video screens behind him say “gonna.”

H.A.A.R.P., much like Green Day’s American Idiot 2005 tour document Bullet in a Bible, is one of those lightning-in-a-bottle moments that captures the band at the height of its powers. This is not to say Muse has peaked, but rather that they were very, very smart to capture this moment in time. A must-have for any fan of the band.

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3.25 Copyright (C) 2007 Alain Georgette / Copyright (C) 2006 Frantisek Hliva. All rights reserved."


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