Contributed By: Josh DaNewYork
Created On: Sunday, 29 June 2008
Hits: 214
 Tom Waits "Way Down in the Hole" was quickly stolen by Vincent Henry, who played on double sax. The song title, too, was an apt description for the sound mix. Though Waits' astonishingly tight and emotional band had the mix down, his grumbling vocals seemed to fall on either side of one's ear, but never quite in it. The nuanced performance lost some luster, on and off, as his lyrics were muddied.
Omar Torrez, who kept his utterly delightful nastiness buried previously, started "All the World is Green" with a dextrous Spanish guitar intro. Waits' son Casey on percussion kicked off the sample-based "Heigh Ho (The Dwarfs Marching Song)," playing along on an intense wood block board -- think less "Snow White" and more "Alice in Wonderland." Waits finally gathered up a working bullhorn (which had yet to be dismembered) and otherwise cupped his hand about his mouth on this impressive vocal performance. Samples were also used later for the claps on "Get Behind the Mule," a track that went a little too long to be comfortable. It's hard to shake, but there's something a little disappointing about listening to a quality ensemble that still uses tracking and pre-recorded snippets, no matter how essential those sounds are.
He slid over to organ for "Lost in the Harbor" and returned to the full band format on "I Make It Rain," during which, naturally, he was rained upon by glitter at the signal of his whistle. The gold confetti stuck to his face and filled the brim of his bowler, dumped off later and revealing his aging, downy hair. "This is about a girl who lied to me. And I told her to continue to do so," Waits recalled before starting the rockabilly "Lie to Me" from the Brawlers "Orphan" disc. Sad waltz "On the Other Side of the World" precluded sea-lovin' "Singapore," Waits' idiosyncratic hrm-chah leading it off like the engine of whatever vessel (or planet) he's on.
The band lost it a little on long-running "Dirt in the Ground" but then a single, precariously blinking lightbulb descended from the ceiling to inspire the spoken word "What's He Building"… before Waits accidentally killed the bulb. The group raced toward the end, Waits introducing all the band -- including keyboardist/pianist Patrick Warren and upright bassist Seth Ford-Young. "16 Shells" preceded an chills-inducing "Rain Dogs."
The group shined off with "Goin' Out West," "Anywhere I Lay My Head" and piano-led "You Are Innocent When You Dream" for the encore. Waits invited the theater to join him on the latter, one of the few times the songwriter encouraged such participation. For a huckster, Waits certainly is generous.
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