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Primal Scream: Beautiful Future
Contributed By: Corey Bolton
Created On: Monday, 21 July 2008
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Primal Scream: Beautiful Future
Beautiful Future
2008 album from the acclaimed British Alt-Rockers, the 10th album by this exciting and inventive band fronted by Bobby Gillespie. Since the band's inception at the tail end of the '80s, their string of releases have continued to astound and delight their fans while also managing to be commercially successful. Beautiful Future was produced by Bjorn Yttling (Peter, Bjorn & John) and Paul Epworth (Bloc Party) and features guest appearances from Lovefoxx (CSS), Josh Homme (Queens Of The Stoneage) and Folk legend Linda Thompson. 11 tracks including 'The Glory Of Love', 'Can't Go Back', 'Zombie Man' and more.

Complimented by a heady genre crunching mix of signature electro fuzz and accelerated rock n roll, the angular guitars and electro splashed charm of ‘Beautiful Future’, ‘The Glory Of Love’ and ‘Uptown’ juxtaposed with Gillespie’s intoxicating vocal haze and inscrutable lyrics fuel a double edged euphoria. And while the Riot City Blues familier ‘Zombie Man’ placed alongside the vast snatches of smeared emptiness in ‘Beautiful Summer’ reassures, Mooney and Mounfield’s precise percussion-bass partnership keeps the breakneck electro-rock of ‘Cant Go Back’ and ‘Suicide Bomb’ from mutating into serotonin shifting paranoia.

Primal Scream are no strangers to collaboration (previous guest appearances include Kate Moss and Robert Plant to name a few) and ‘Beautiful Future’ is no exception. CSS’s Lovefoxx gets in on the act with the claustrophobic MDMA shadow throb of ‘I Love To Hurt (You Love To Be Hurt)’ as does British folk-rock legend Linda Thompson who features on the simple, stunning and beautiful cover of Fleetwood Mac’s ballad ‘Over & Over’, before Queens Of The Stone Age’s Josh Homme’s lip-smacking guitar skills shatter the illusion with ‘Necro Hex Blues’, the end result of a Thin Lizzy tribute jam between Homme and the Scream’s very own Andrew Innes.

So the all important question; is it any good? Of course it is and although it won’t rank alongside their best, its appeal is unquestionable and the merits of album number nine can only be measured by three decades of incredibly high self set standards.

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3.25 Copyright (C) 2007 Alain Georgette / Copyright (C) 2006 Frantisek Hliva. All rights reserved."


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